(“Feels good, sounds good,” she sings.) Until she hears another voice through the door - a man’s, and it throws Nicks for a loop. There’s Nicks, ear pressed against a wall listening to a man’s voice. “If Anyone Falls” constructs a vivid, three-dimensional scene of bodies in space. “If Anyone Falls” (from The Wild Heart, 1983) It’s a tribute to Walsh, Emma and anyone who ended up without a song.ģ. This knee-wobbling shift in perspective produced “Has Anyone Ever Written Anything For You?”, one of Nicks’ most beautiful ballads. A decade later, Walsh and Nicks drove through the mountains of Colorado together when Nicks complained about a trivial matter from the shotgun seat, Walsh responded by talking about Emma’s death. His daughter, Emma, was involved in a car accident, passing away at only three years old. “What you did was you saved my life / I won’t forget it,” she sings, referring to a tour with the Heartbreakers. “For What It’s Worth” is a touching tribute to Tom Petty, and the gem of the bunch. In Your Dreams is Nicks’ version of James Taylor’s October Road, Graham Nash’s This Path Tonight or Van Morrison’s Keep Me Singing: rich, autumnal listens in which a 1970s troubadour audited their history from the vantage point of a new millennium. “For What It’s Worth” (from In Your Dreams, 2011) “And his eyes were that intense.” The music is just as bedazzling.Ħ. “It’s a song about this guy who came into my life, but left just as quick,” she told WDVE, referring to Buckingham. Shame, since it features “Blue Denim,” which captures Nicks beautifully in her element even as it evokes Chrissie Hynde. Recorded during her exit from Fleetwood Mac and in the throes of a nasty Klonopin addiction, Street Angel is her least-loved LP by some margin, stalling out at No. (She barely appeared on Tango in the Night.) “Stand Back,” a loving rip of Prince’s “Little Red Corvette” she wrote after her wedding to Kim Anderson, is a funky, infectious example of this, with the newlywed Gold Dust Woman purring like a cat over period synth arpeggios.ħ. “Stand Back” (from The Wild Heart, 1983)įleetwood Mac stretched out and got weirder in the early 1980s, but Nicks was busy kicking up some new-wave dust on her solo albums. Few writers are this unafraid of changing.Ĩ. “The planets of the universe go their way / Not astounded by the sun or moon,” she sings, as if breaking up can be chalked up to Newton’s law of universal gravitation. Nicks doesn’t deal in crocodile tears, but celestial language. Originally a demo from the Rumours days, “Planets of the Universe” confronts a heavy subject: her publicly doomed relationship with Lindsey Buckingham. “Planets of the Universe” (from Trouble in Shangri-La, 2001) In spite of itself, “Beauty and the Beast” works. (“It was like we had gone back in time,” said Nicks.) The song itself flips the Jean Cocteau film into a long, languorous ballad about the shackles of time and the meaning of love. The tune was to be recorded live with a symphony orchestra and grand piano she and the background singers wore long, black gowns and served champagne to a throng of guests. The Wild Heart is Nicks’ most opulent album - and for its final track, “Beauty and the Beast,” she pulled out all the stops. “Beauty and the Beast” (from The Wild Heart, 1983) (Her 1981 duet with Tom Petty, “Stop Draggin’ My Heart Around,” is excluded from this list because she wasn’t involved in the writing.)ġ0. In honor of her second induction into the Rock and Roll Hall of Fame, here are her 10 greatest solo cuts, ranked. But she’s still onstage, casting her singular spell - one that’s landing her in the Rock Hall one more time. “I will fall to my knees on my cushy white rug and look out at the ocean and go, ‘I am finally free,’” she told Rolling Stone. Still, she knows what she’ll do when she finally hangs up her shawls. Many rockers of her generation are on the final legs of their farewell tours she’s still slugging it out on the road with an updated Fleetwood Mac. She proved she didn’t need the boys to achieve commercial success in her own right, topping the Billboard 200 with solo debut Bella Donna in 1981 and continuing to release hit albums throughout the ’80s. She never stopped making great music: earthy later albums like 2001’s Trouble in Shangri-La and 2011’s In Your Dreams stand among her finest work. But crank up their still-intoxicating “Go Your Own Way,” “Dreams” or “Rhiannon,” and for a moment, you believe. Stevie Nicks Dedicates 'Landslide' to 'Game of Thrones' Actor Kit Harington at Fleetwood Mac Showįleetwood Mac’s internal disharmony made the Mac a less-than-utopian ideal - to graph out their various interband trysts would be to weave a tangled web.
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